THE 43RD MOSCOW INTERNATIONAL FILM FESTIVAL. IN SPITE OF THE LOCKDOWN
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Jury
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I BELIEVE
There is no need to go into detail while describing the importance of the Konstantin Stanislavsky Award “I Believe” at the Moscow International Film Festival. It is sufficient to give the names of the recipients
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14 FILMS OF THE 43 RD MOSCOW FILM FESTIVAL COMPETITION PROGRAM BECAME KNOWN
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The opening and closing films
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Special Screenings
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KIRILL RAZLOGOV. MOVIES OF MY LIFE.
For many years I’ve cherished the idea of making a series of TV talks and comments under the title Films of my Life
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EIGHT AND A HALF FILMS
Almost all the movies with the exception of Miss Marx, exuding the half-forgotten leftist spirit, and Parquet by the Russian classic Alexandr Mindadze, were made in the close to combat environment
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IN MEMORY OF MICHAEL APTED
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MISSING PICTURES
It is hard to imagine that the title of the program could refer to the future. We still don’t know if it might turn into Missing Pictures that We Will Never See.
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YOUNG AND BEAUTIFUL
The youngest heroes of our small program are the Iranian kids with their childishly desperate belief in the miracle
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INVERTED PERSPECTIVE
Remember all the names of filmmakers of these short movies from 10 to 20-odd minutes long. These gifted debutants are the future of Russian cinema
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EUPHORIA OF ISOLATION
Films for the traditional Euphoria program were selected according to traditional criteria. These guidelines have always included emotional allure and artistic originality
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CHINESE CINEMA. FEMALE LOOK
In contemporary China the work of women directors (and scriptwriters) is becoming more and more prominent
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SIMONE SIGNORET. YVES MONTAND.THE DUO
Simone Signoret was born exactly a hundred years ago in Wiesbaden, Germany. Yves Montand was born nine months later in Tuscany, Italy. They met in August 1949 on Cote d’Azure, in Saint Paul de Vence and fell in love
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WOMEN’S CINEMA OF ISRAEL
Women’s cinema of Israel is vibrant, passionate, sometimes shocking, filled with sunshine and music, transmitting joy and pain, charged with positive at times excessive emotions which are always sincere
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EPISODE ONE. TAKE TWO
Two years ago at the 41st MIFF the program of series included the first episodes of Identification by Vladlena Sandu, Tolia the Robot by Alexei Nuzhny and Trigger by Dmitry Tyurin. The program was warmly received by the festival audience and has since proved it right to exist
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ITALIAN FILM. THE RETURN OF THE CLASSICS
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FEMALE DIRECTORS OF THE PRESENT
This year the MIFF presents a new program Female directors of the Present
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